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Yet he could not long keep his mind from the struggle. “Mother, won’t you find out soon about Jimmy, how bad he’s hurt? An’ I wish I knew if Vilette ’n Evelyn ’re all right; it looked awful to see ’em hit with a horsewhip.” Was not May Nell safe? Almost recovered from her fright and hours of imprisonment? Was not the town ringing with her courage and quaint sayings? For she had told her story more than once; and when she came to the place where she said, “And I thought, ‘God can see me all the time; if He means for me to suffer awfully I must have an awful lot of courage; I must ask Him for it.’ So I did, and I said ‘Now I lay me,’ and lay down on the bed so I could hear God speak—you know you can hear better lying down—and I waited—” “He didn’t come roun’ here, I kin tell you though,” joined in Mrs. Wopp, energetically. In speaking of Mr. Zelamba, her voice modulated harshly into a key of hyper-acidulated sharps. “I says to Miss Gordon, an’ she jined in with me, a piannerist may be well ’nough as an actor man, but when it comes to takin’ fer keeps, give me a real man.” After taking a deep breath she continued, “My, but he makes a heap of money an’ he loves it, too; but when he gits to be about forty, the lines in his fiz’ll be as tight as my clothes-rope arter a spell of rain.”.

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“No quarreling now. Come, Clarence, do as your mother asks.” And so the story went on. All the wholesome things of the country that children like had come from one and another. And each had been as happy in giving as Billy could possibly be in receiving. “Peter Stolway, may I arsk you to tell out loud what you was whisperin’?” Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them..